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Author: Abhishek

  • Rusty, the Boy from the Hills

    This collection gathers the early Rusty stories, in which Ruskin Bond fictionalises his own boyhood. Rusty spends his days in his grandparents' bungalow in Dehra, where his grandfather keeps an ever-growing menagerie that includes a python, a monkey and other unlikely pets, and his grandmother keeps the household from total chaos.

    Much of the comedy comes from Uncle Ken, a charming idler who drifts from one doomed scheme to another, and from the animals' escapes, which cause havoc among the neighbours. Other stories capture quieter moments: long walks, monsoon afternoons and explorations of the jungle on the edge of town.

    Written for younger readers, the book is light, funny and nostalgic, offering a view of a now-vanished Dehra Dun of tall trees and quiet lanes. It works as a prequel to The Room on the Roof and a gentle introduction to Bond's long-running alter ego.

    Book details

    AuthorRuskin Bond
    Original languageEnglish
    GenreChildren's
    TypeFiction
    SettingDehra (Dehradun), 1940s

    Themes

    • Childhood
    • Family
    • Animals
    • Nostalgia

    Who should read it

    Young readers who like funny animal stories and anyone nostalgic for small-town India.

  • The Blue Umbrella

    Binya lives with her mother and brother in a small village in the Garhwal hills, where she grazes the family's two cows. One day a group of picnickers from the plains admire her lucky leopard-claw pendant, and she exchanges it for a frilly blue umbrella that becomes the most admired object in the valley.

    Ram Bharosa, the elderly owner of the village tea shop, cannot stop thinking about the umbrella. When Binya refuses to sell it, his envy pushes him into scheming, and the consequences ripple through the small community, testing ideas of fairness, pride and forgiveness. Children in the village take sides as the rivalry grows.

    This novella is one of Ruskin Bond's best-known stories for children, told with simple, clear prose and a sharp sense of mountain life: weather, wildflowers and village gossip. Vishal Bhardwaj adapted it into a National Award-winning Hindi film in 2005, with Pankaj Kapur as the shopkeeper.

    Book details

    AuthorRuskin Bond
    Original languageEnglish
    GenreChildren's
    TypeFiction
    SettingA village in the Garhwal hills, Uttarakhand

    Themes

    • Envy and greed
    • Forgiveness
    • Village community
    • Childhood

    Who should read it

    Children aged eight and up, and parents looking for a short read-aloud with a gentle moral.

  • The Room on the Roof

    Rusty is a sixteen-year-old Anglo-Indian boy living in the European enclave of Dehra under the strict guardianship of Mr John Harrison, who forbids him to mix with Indians. Curiosity draws him into the bazaar, where he meets Somi, Ranbir and Suri, and discovers chaat, Holi colours and the warmth of friendship.

    After a final quarrel with his guardian, Rusty leaves home and is offered a room on the roof of the Kapoor family's house in exchange for teaching English to their son Kishen. There he falls in love with Kishen's lonely young mother, Meena, and has to learn what independence truly costs.

    Ruskin Bond wrote the novel at seventeen, partly from his own adolescence, and it won the John Llewellyn Rhys Prize. Its simple, evocative prose and its picture of 1950s Dehra Dun introduced the Rusty stories that Bond would return to for decades, and it was adapted for Doordarshan as Ek Tha Rusty.

    Book details

    AuthorRuskin Bond
    First published1956
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    SettingDehra (Dehradun), early 1950s
    AwardsJohn Llewellyn Rhys Prize 1957

    Themes

    • Coming of age
    • Belonging
    • Friendship
    • First love
    • Anglo-indian identity

    Who should read it

    Teenagers and adults who enjoy gentle coming-of-age stories set in the hills of India.

  • Delhi: A Novel

    The present-day narrator is a cynical, womanising Sikh journalist and tour guide who loves Delhi the way he loves Bhagmati, a hijra he met near a mosque: helplessly and against all advice. His episodes, set in the 1970s and 1980s, are earthy and comic, full of the city's ruins, bureaucrats and visiting foreigners.

    Between them, Khushwant Singh hands the stage to people from Delhi's past: a Hindu cast out by his community in the 13th century, the poet Amir Khusrau, Timur, the Mughal emperor Aurangzeb, the Urdu poet Mir Taqi Mir, an Englishman and others caught in the 1857 uprising, a man present at the building of New Delhi, and finally participants in Partition and the 1984 anti-Sikh riots.

    The book took Singh about twenty-five years to write and reflects his love of history and his irreverence. Its frank sexuality divided reviewers, but its scope makes it a lively, if unorthodox, biography of a city repeatedly destroyed and rebuilt. Readers who prefer restraint may find it excessive, but it is never dull.

    Book details

    AuthorKhushwant Singh
    First published1990
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)391
    SettingDelhi across six centuries, from the Delhi Sultanate to 1984

    Themes

    • History of delhi
    • Power and conquest
    • Desire
    • Religious conflict
    • The city as character

    Who should read it

    Readers who enjoy irreverent historical fiction and want a tour of Delhi through the centuries.

  • Train to Pakistan

    Mano Majra is a small village on the Sutlej, with a railway bridge and a station whose train timings organise the day. Sikh farmers and Muslim tenants have lived together for generations, largely untouched by the politics of Partition. Then, in the summer of 1947, a ghost train arrives from Pakistan carrying the bodies of murdered Sikhs and Hindus.

    Khushwant Singh moves between a handful of characters: Juggut Singh, a hulking local thug in love with a Muslim weaver's daughter; Iqbal, an English-educated activist sent to rouse the peasants; and Hukum Chand, the district magistrate, a weary, compromised man who tries to manipulate events from his rest house. As refugees and armed groups arrive, the village is pushed toward retaliation.

    Written with unsentimental directness and dark humour, the novel was one of the first major works of fiction about Partition violence. Its manuscript won the Grove Press India Fiction Prize, and it was filmed by Pamela Rooks in 1998. It is brief enough to read in a sitting but lingers long afterwards.

    Book details

    AuthorKhushwant Singh
    First published1956
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)181
    SettingMano Majra, a village on the India-Pakistan border in Punjab, summer 1947
    AwardsGrove Press India Fiction Prize 1954

    Themes

    • Partition
    • Communal violence
    • Love across religion
    • Moral responsibility
    • Village life

    Who should read it

    Anyone wanting a short, unflinching novel about how Partition reached ordinary villages.

  • Coolie

    Munoo is fourteen when his uncle takes him from his Kangra hill village to work as a domestic servant for a bank clerk's family in the town of Sham Nagar. Mistreated by the clerk's wife, he runs away, and the novel becomes a picaresque journey through the working life of colonial India.

    He finds kindness and cruelty in turn: a pickle factory in Daulatpur, the docks and textile mills of Bombay, where he lives on the pavement and is caught up in a strike and communal riot, and finally Simla, where he pulls the rickshaw of an Anglo-Indian woman. Each place shows how class and poverty matter as much as caste, and how industrial capitalism uses up the bodies of the poor.

    Published in 1936, a year after Untouchable, Coolie is broader and angrier, shaped by Anand's socialist convictions. It is valued as one of the earliest Indian novels about the urban working class and child labour. Its ending is bleak, and Munoo's innocence makes the cruelty he meets all the more striking for modern readers.

    Book details

    AuthorMulk Raj Anand
    First published1936
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)282
    SettingKangra hills, Sham Nagar, Daulatpur, Bombay and Simla, 1930s

    Themes

    • Child labour
    • Class exploitation
    • Industrialisation
    • Poverty
    • Colonialism

    Who should read it

    Readers interested in social-realist fiction and the lives of India's colonial-era working poor.

  • Untouchable

    Bakha is a young sweeper who cleans the public latrines of a town in colonial Punjab. He is strong, proud of his work and fascinated by the clothes and manners of the British soldiers in the nearby barracks. The novel follows him through a single day, from waking in his father's mud house in the outcastes' colony to nightfall.

    Over those hours Bakha is slapped for accidentally touching a caste Hindu, sees his sister harassed by a priest, is thrown scraps of food and listens to a Christian missionary's offer of salvation. Late in the day he hears Gandhi speak and encounters a poet who argues that the flush toilet could end the work of scavengers, offering three very different answers to his condition.

    Mulk Raj Anand's first novel, with a preface by E. M. Forster, was rejected by many publishers before appearing in 1935. Short and direct, it was one of the first English novels to give an untouchable protagonist an inner life, and it remains a key text on caste.

    Book details

    AuthorMulk Raj Anand
    First published1935
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)157
    SettingBulashah, a cantonment town in colonial Punjab, 1930s

    Themes

    • Untouchability
    • Caste discrimination
    • Dignity of labour
    • Gandhism
    • Social reform

    Who should read it

    Readers who want a short, powerful introduction to caste through the eyes of those who suffer it.

  • The English Teacher

    Krishna teaches English literature at the Albert Mission College in Malgudi and lives a comfortable but dissatisfied bachelor life in the hostel. When his wife Susila and their baby daughter Leela come to join him, he rents a house and discovers the pleasures of domestic life: house-hunting, small quarrels, shared reading and the ordinary rituals of a young family.

    A sudden illness changes everything, and the second half of the novel follows Krishna as he struggles with loss, raises his daughter and becomes involved with a medium who claims to pass on messages. He also grows close to an unconventional headmaster running a school for small children, which makes him question the colonial English education he has spent his life delivering.

    The novel is Narayan's most personal, drawing on the death of his own wife Rajam in 1939. It completes a loose trilogy with Swami and Friends and The Bachelor of Arts, and is notable for the tenderness with which it treats marriage and mourning. Its closing chapters are unusually spiritual for Narayan.

    Book details

    AuthorR. K. Narayan
    First published1945
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)184
    SettingMalgudi, South India, 1930s

    Themes

    • Grief
    • Marriage
    • Education
    • Spiritualism
    • Self-discovery

    Who should read it

    Readers looking for a quiet, moving novel about love, loss and starting again.

  • The Guide

    Raju, recently released from prison, takes shelter in a ruined temple by a river near a village called Mangala. When a villager mistakes him for a sage, Raju finds it easier to accept the role than to explain himself, and soon people bring him food, problems and reverence. The novel alternates between this present and Raju's account of how he got here.

    Years earlier Raju ran a shop at Malgudi railway station and became a popular guide for tourists. One of his clients was Marco, a cold archaeologist, and his wife Rosie, a gifted dancer whose husband despises her art. Raju's involvement with Rosie, and his management of her career as a star performer named Nalini, led him into vanity, debt and eventually crime.

    Narayan writes with typical lightness, but the book poses serious questions about sincerity, performance and whether a role played long enough becomes real. It won the Sahitya Akademi Award in 1960, the first for an English-language novel, and inspired the 1965 Dev Anand film Guide.

    Book details

    AuthorR. K. Narayan
    First published1958
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)220
    SettingMalgudi and the village of Mangala, South India, mid-20th century
    AwardsSahitya Akademi Award 1960

    Themes

    • Identity and performance
    • Redemption
    • Art and marriage
    • Faith
    • Self-deception

    Who should read it

    Readers who like gently ironic stories about reinvention and the line between faith and fraud.

  • Swami and Friends

    Swaminathan is a ten-year-old schoolboy at the Albert Mission School in Malgudi, more interested in his friends than his arithmetic. His circle includes Mani, the class bully with a heavy club, and Rajam, the polished son of the police superintendent, whose arrival sets off rivalries and loyalties that matter enormously to the boys.

    Over a school year Swami avoids his father's lectures, listens to his grandmother's stories, gets caught up in a protest against British rule without quite understanding it, and helps found the Malgudi Cricket Club with grand plans to rival the MCC. Small disasters pile up, and adult authority looms in the background like weather.

    Published in 1935 with Graham Greene's help in finding a London publisher, the novel introduced Malgudi to the world. Its humour comes from seeing grown-up concerns through a child's priorities, and it remains one of the most affectionate portraits of boyhood in Indian writing. Its episodes are short enough to read aloud.

    Book details

    AuthorR. K. Narayan
    First published1935
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)184
    SettingMalgudi, a fictional South Indian town, 1930

    Themes

    • Childhood
    • Friendship
    • School life
    • Colonial india

    Who should read it

    Young readers and adults alike who enjoy funny, nostalgic stories about schoolboy friendships.