Tag: Arundhati Roy

  • The God of Small Things

    Set in the village of Ayemenem in Kerala, the novel moves between 1969, when the fraternal twins Estha and Rahel are seven, and 1993, when they meet again as damaged adults. Their mother Ammu, divorced and quietly defiant, lives on sufferance in her family's house alongside a pickle factory, a bitter grand-aunt and an Oxford-educated uncle who calls himself a Marxist.

    The arrival of the twins' half-English cousin Sophie Mol and Ammu's attachment to Velutha, a gifted carpenter from a Dalit family, bring the household's rules about who may love whom into sharp conflict. Roy reveals the shape of the disaster early and then circles back, so the suspense lies less in what happens than in how ordinary prejudice, politics and fear make it unavoidable.

    The prose is the book's signature: invented compound words, capitalised phrases borrowed from a child's way of seeing, and a looping chronology. It won the Booker Prize in 1997 and remains a defining Indian novel in English for the way it ties intimate grief to caste, gender and the small cruelties of respectable families.

    Book details

    AuthorArundhati Roy
    First published1997
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)340
    SettingAyemenem, Kerala, 1969 and 1993
    AwardsBooker Prize 1997

    Themes

    • Caste
    • Forbidden love
    • Childhood trauma
    • Family

    Who should read it

    Readers who enjoy lyrical, non-linear fiction and are ready for a story whose tenderness and heartbreak arrive together.

  • The Ministry of Utmost Happiness

    Twenty years after her debut, Arundhati Roy returned to fiction with a sprawling novel that begins in Old Delhi. Anjum, born intersex and raised as a boy named Aftab, leaves her family to live in the Khwabgah, a house of hijras, and later settles among the graves of a Muslim cemetery, where she gradually builds a refuge for people the city has pushed out.

    A second strand belongs to Tilottama, an elusive architecture student, and the three men who love her: a journalist, an intelligence officer and a Kashmiri who becomes a militant. Through them the book enters the violence of the Kashmir valley, with its checkpoints, torture centres and disappeared sons, and the two narratives slowly converge around an abandoned baby.

    The novel is restless and openly political, folding in the 2002 Gujarat riots, the anti-corruption protests at Jantar Mantar and Maoist insurgency in central India. Some readers find it diffuse, but its compassion for misfits and its refusal to look away from state violence make it a deliberate counterpoint to tidier portraits of modern India.

    Book details

    AuthorArundhati Roy
    First published2017
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)445
    SettingDelhi and the Kashmir valley, 1950s to 2010s

    Themes

    • Gender identity
    • Kashmir conflict
    • Outsiders and belonging
    • State violence
    • Religious nationalism

    Who should read it

    Readers who want a politically charged, many-voiced novel about the people left out of India's success story.