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Tag: Fiction

  • The City of Joy

    First published in French in 1985, The City of Joy is set in Anand Nagar, a crowded slum in Howrah across the river from Calcutta. Lapierre based his book on years of research and on real people, whose names and details he altered, and wrote it in a novelistic style that blurs reportage and fiction.

    Three main figures carry the narrative. Stephan Kovalski, a Polish Catholic priest, chooses to live among the slum's residents rather than minister to them from outside. Hasari Pal, a farmer driven from his Bengal village by drought and debt, becomes a rickshaw puller in the city. Max Loeb, a young American doctor, arrives to help run a clinic and confronts leprosy, cholera, monsoon floods and the slum's own mafia.

    The book was a worldwide bestseller and was filmed by Roland Joffe in 1992. Some Indian critics objected to its portrayal of Calcutta as a byword for misery, while admirers praised its insistence on the dignity, humour and solidarity of the poor. Lapierre donated a large share of his royalties to charitable work in the region.

    Book details

    AuthorDominique Lapierre
    First published1985
    Original languageFrench
    Translated byKathryn Spink
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)470
    SettingAnand Nagar slum, Howrah, near Calcutta, 1970s and early 1980s

    Themes

    • Poverty and resilience
    • Faith and service
    • Migration from countryside to city
    • Solidarity
    • Human dignity

    Who should read it

    Readers moved by stories of courage in hardship, with an awareness of the outsider's lens it brings to Calcutta.

    If you liked this, try

    • Freedom at Midnight
    • Shantaram
    • Behind the Beautiful Forevers

  • Ponniyin Selvan

    Ponniyin Selvan was serialised in the Tamil weekly Kalki from 1950 to 1954 and later published in five volumes. It is set in the Chola kingdom of the tenth century, when the ailing emperor Sundara Chola's succession is uncertain. Vandiyathevan, a charming young warrior from a fallen clan, carries a secret message from the crown prince Aditha Karikalan and is drawn into conspiracy after conspiracy.

    The large cast includes Princess Kundavai, sharp-witted and politically shrewd; her brother Arulmozhi Varman, the beloved prince of the title who will become Rajaraja Chola; Nandini, a beautiful and mysterious queen of the powerful Pazhuvettarayar family; the comic Vaishnavite spy Azhwarkadiyan; and plotting remnants of the defeated Pandya dynasty. Journeys by land and sea, disguises, shipwrecks and palace scheming keep the story moving.

    Kalki mixed documented history with invention, and his lively, cliffhanger-driven narration created a reading craze across Tamil Nadu that has never quite ended. The novel is still reprinted constantly and has been adapted for stage and radio, and Mani Ratnam's two-part film of 2022 and 2023 introduced it to a new national audience.

    Book details

    AuthorKalki Krishnamurthy
    First published1955
    Original languageTamil
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)2400
    SettingThe Chola kingdom of South India and Sri Lanka, late tenth century

    Themes

    • Royal succession
    • Court intrigue
    • Loyalty and betrayal
    • Love
    • Tamil heritage

    Who should read it

    Readers who love long, twisting historical adventures full of spies, princes and palace plots.

    If you liked this, try

    • Sivagamiyin Sabatham
    • Parthiban Kanavu
    • The Last Mughal

  • Pinjar

    Pinjar, meaning skeleton, was published in Punjabi in 1950. Puro, a young Hindu woman engaged to a man she has barely met, is abducted by Rashid, a Muslim from a family that nurses an old grievance against hers. When she escapes and returns home, her parents, fearing the community's judgement, turn her away, and she must make a life within the marriage forced upon her, renamed Hamida.

    Puro's inner world is the centre of the book: her anger, her sense of being reduced to a body without a self, and her slow, complicated understanding of Rashid, who is both her wrongdoer and capable of remorse. As Partition violence engulfs Punjab, she sees other women abducted, raped and abandoned, and her own experience becomes a lens on theirs.

    Amrita Pritam wrote with stark economy and fierce sympathy for women whose bodies became battlegrounds of family honour and communal revenge. Khushwant Singh translated it into English as The Skeleton, and Chandraprakash Dwivedi's 2003 film brought it to a wide audience. It remains one of the most important literary works on women and Partition.

    Book details

    AuthorAmrita Pritam
    First published1950
    Original languagePunjabi
    Translated byKhushwant Singh
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)120
    SettingVillages of Punjab, 1930s to 1947

    Themes

    • Abduction of women
    • Family honour
    • Partition
    • Identity and renaming
    • Resilience

    Who should read it

    Anyone seeking a woman's perspective on Partition in a brief, powerful novel.

    If you liked this, try

    • Tamas
    • Train to Pakistan
    • Ice-Candy-Man

  • Aadha Gaon

    Aadha Gaon, meaning half a village, was published in 1966 and is set in Gangauli, the author's own village in the Ghazipur district of eastern Uttar Pradesh. It portrays the Shia Muslim zamindar families of one half of the village, their feuds, marriages, scandals and Muharram mourning rituals, from the late 1930s to the early 1950s.

    There is no single hero; the village itself is the protagonist, observed by a narrator who grew up there. When the Muslim League's campaign for Pakistan reaches Gangauli, most villagers cannot see why their home should be anywhere else. Partition divides families nonetheless, and then the abolition of zamindari strips the landowners of their status, leaving them adrift in the new republic.

    Written in Hindi but full of the Bhojpuri and Urdu of everyday speech, the novel was controversial for its frank language and its insistence that Indian Muslims belong to their soil. It is now recognised as one of the great Hindi novels about Partition from a Muslim village's perspective. Gillian Wright translated it as A Village Divided.

    Book details

    AuthorRahi Masoom Raza
    First published1966
    Original languageHindi
    Translated byGillian Wright
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)360
    SettingGangauli village, Ghazipur district, Uttar Pradesh, late 1930s to early 1950s

    Themes

    • Partition
    • Belonging and homeland
    • End of zamindari
    • Shia Muslim culture
    • Village community

    Who should read it

    Readers who want a rarely told Muslim village view of Partition and its aftermath in North India.

    If you liked this, try

    • Tamas
    • Raag Darbari
    • Basti

  • Gunahon Ka Devta

    Gunahon Ka Devta, published in 1949, is set in Allahabad among university people. Chandar is a brilliant research student who owes much to his professor, Dr Shukla, and spends his days in the professor's house. The professor's daughter Sudha is playful, affectionate and utterly devoted to Chandar, and everyone around them senses a love that neither will name.

    Chandar has built an ideal of pure, almost worshipful love and refuses to let it become ordinary romance or marriage, partly out of loyalty to his mentor and partly out of fear of his own feelings. His choices draw in other women: Pammi, an Anglo-Indian divorcee who offers a frank physicality he both craves and despises, and Binti, Sudha's cousin. The cost of his idealism falls hardest on Sudha.

    The novel's lush, emotional prose made it a phenomenon among young Hindi readers, and it has gone through a vast number of reprints. Read today, it is also a critique of a hero whose high-mindedness masks cowardice and whose purity damages those he claims to adore. An English translation by Poonam Saxena appeared as Chandar and Sudha.

    Book details

    AuthorDharamvir Bharati
    First published1949
    Original languageHindi
    Translated byPoonam Saxena
    GenreRomance
    TypeFiction
    Pages (approx.)280
    SettingAllahabad, 1940s

    Themes

    • Platonic versus physical love
    • Sacrifice
    • Idealism and hypocrisy
    • Duty to mentors
    • Youth

    Who should read it

    Readers who enjoy intense, bittersweet love stories and want a Hindi classic that defined a generation's idea of romance.

    If you liked this, try

    • Devdas
    • Suraj Ka Satvan Ghoda
    • Pinjar

  • Mrityunjay

    Mrityunjay, published in 1967, tells the life of Karna, the great archer of the Mahabharata who was born to Kunti before her marriage, set adrift on a river and raised by a charioteer. Sawant gives most of the narration to Karna himself, with sections spoken by Kunti, Duryodhana, Karna's wife Vrushali, his brother Shon and Krishna, so the story builds from many vantage points.

    The novel dwells on the humiliations of birth and caste that dog Karna: the tournament where he is mocked as a charioteer's son, the teachers who deny him, the bride who refuses him. It also traces his loyalty to Duryodhana, who gave him dignity when no one else would, and his legendary generosity, which becomes both his glory and his vulnerability.

    The book was a sensation in Marathi and has been translated into many Indian languages and into English, where it appeared as Mrityunjaya: The Death Conqueror. Its emotional, almost operatic style and its sympathy for an outsider who never stops seeking recognition have made Karna one of the most popular epic figures in modern Indian reading.

    Book details

    AuthorShivaji Sawant
    First published1967
    Original languageMarathi
    Translated byP. Lal and Nandini Nopany
    GenreMythology
    TypeFiction
    Pages (approx.)700
    SettingChampanagari, Hastinapura and Kurukshetra in the age of the Mahabharata

    Themes

    • Identity and birth
    • Loyalty
    • Generosity
    • Caste humiliation
    • Fate

    Who should read it

    Anyone who has felt for Karna in the Mahabharata and wants his full story told with passion.

    If you liked this, try

    • Yayati
    • Randamoozham
    • Parva

  • Batatyachi Chaal

    Batatyachi Chaal, published in 1958, gathers P. L. Deshpande's humorous sketches about the residents of a fictional chawl in old Mumbai, the multi-storey tenements where families shared corridors, taps and toilets. The chawl is home to clerks, teachers, pensioners, busybodies and would-be intellectuals, and nothing happens privately for long.

    Much of the comedy comes from collective enterprise: residents form committees, hold meetings, organise festivals and cultural programmes, and argue endlessly over procedure and pride. Pu La, as the author is affectionately known, mocks pretension, bureaucratic jargon and the Marathi middle class's love of speeches, yet he never sneers. His characters are absurd but likeable, and their quarrels hide real neighbourliness.

    The book is part of a body of work that made Deshpande the most beloved humorist in Marathi, and its pieces have often been performed on stage as readings. For readers today it also preserves a vanished way of urban life, with its cramped intimacy and shared rituals, before chawls gave way to housing societies and towers.

    Book details

    AuthorP. L. Deshpande
    First published1958
    Original languageMarathi
    GenreHumour
    TypeFiction
    SettingA chawl in Girgaon, Mumbai, 1950s

    Themes

    • Community life
    • Middle-class pretension
    • Satire of committees
    • Neighbourliness
    • Urban nostalgia

    Who should read it

    Marathi readers looking for warm, laugh-aloud satire and a picture of old Mumbai chawl life.

    If you liked this, try

    • Raag Darbari
    • Malgudi Days
    • Vyakti Ani Valli

  • Raag Darbari

    Ranganath, a history postgraduate, comes from the city to recover his health in Shivpalganj, a village in Uttar Pradesh where his uncle Vaidyaji lives. Vaidyaji is an Ayurvedic physician in name, but his real practice is power: he controls the village college, the cooperative society and, through allies, the panchayat. Ranganath's idealism wilts as he watches how things actually get done.

    The novel follows a parade of characters: Vaidyaji's sons, the strongman Badri and the swaggering student leader Ruppan, the hanger-on Sanichar who is installed as a puppet village head, the harried principal and squabbling teachers, the police, the clerks and the litigants who spend their lives in court. Every institution of the new republic is shown being bent to faction and self-interest.

    Published in 1968 and awarded the Sahitya Akademi Award in 1970, the book is wickedly funny line by line, with an irony that never lets up. It has been read as the definitive portrait of rural India's political culture, and much of it still feels current. Gillian Wright translated it into English, and a television serial was made in the 1980s.

    Book details

    AuthorShrilal Shukla
    First published1968
    Original languageHindi
    Translated byGillian Wright
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)340
    SettingShivpalganj, a village in Uttar Pradesh, 1960s
    AwardsSahitya Akademi Award 1970

    Themes

    • Corruption
    • Rural politics
    • Decay of institutions
    • Education system
    • Disillusionment

    Who should read it

    Anyone who wants to understand, and laugh bitterly at, how power works in small-town India.

    If you liked this, try

    • Batatyachi Chaal
    • Aadha Gaon
    • Godaan

  • Tamas

    Tamas, meaning darkness, opens in a town in the Rawalpindi district in the months before Partition. Nathu, a poor tanner, is paid to kill a pig for what he is told is a veterinary purpose. The carcass is left at a mosque, and within days the district is consumed by fear, rumour and killing between Hindus, Sikhs and Muslims.

    Sahni moves among many characters rather than following one hero: Congress volunteers trying to keep peace, young men trained for militancy by communal organisations, a British deputy commissioner who could intervene but prefers administrative caution, Sikh villagers preparing to defend a gurdwara, and refugees in camps. Nathu's guilt and bewilderment give the book its moral centre.

    Drawing on his own memories of riots in Rawalpindi, Sahni wrote in plain, restrained prose that makes the violence more disturbing. The novel won the Sahitya Akademi Award in 1975, and Govind Nihalani's 1988 television adaptation provoked national debate. Sahni's own English translation is the best known, and the book remains essential reading on how communal hatred is manufactured.

    Book details

    AuthorBhisham Sahni
    First published1974
    Original languageHindi
    Translated byBhisham Sahni
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)350
    SettingA town and villages in Rawalpindi district, Punjab, early 1947
    AwardsSahitya Akademi Award 1975

    Themes

    • Communal violence
    • Partition
    • Manipulation by elites
    • Colonial indifference
    • Guilt

    Who should read it

    Readers who want to understand how Partition riots were provoked and spread, told without sensationalism.

    If you liked this, try

    • Train to Pakistan
    • Pinjar
    • Aadha Gaon

  • Aranyak

    Aranyak, which means of the forest, is narrated by Satyacharan, a jobless graduate from Calcutta who accepts a post as manager of a vast estate in the jungles of Bhagalpur and Purnia in Bihar during the 1920s. His task is to lease the forest out to tenant farmers, which means overseeing its destruction. At first he is lonely and homesick for the city.

    Over six years he comes to love the silent grasslands, moonlit hills and wild flowers, and the people who live on the margins: landless labourers, a destitute schoolteacher, a botanist who plants seeds in the forest, a tribal king descended from a once-proud dynasty, and an old man who hoards grain. Their poverty and dignity are drawn with compassion and without condescension.

    The novel is loosely plotted, almost a sequence of sketches, and its tone is elegiac. Long before ecology became a public cause, it registered the price of turning forest into farmland and the guilt of a man who loves what he helps to erase. Rimli Bhattacharya's English version is subtitled Of the Forest, and the book is often read as an early Indian work of environmental literature.

    Book details

    AuthorBibhutibhushan Bandyopadhyay
    First published1939
    Original languageBengali
    Translated byRimli Bhattacharya
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)250
    SettingForests of Bhagalpur and Purnia, Bihar, 1920s

    Themes

    • Wilderness
    • Deforestation
    • Tribal and landless communities
    • Solitude
    • Guilt of progress

    Who should read it

    Readers drawn to nature writing and quiet, reflective novels about humanity's relationship with the land.

    If you liked this, try

    • Pather Panchali
    • The Hungry Tide
    • Walden