Tag: Folk legend

  • Chemmeen

    Chemmeen, meaning prawn, is set among the Hindu fishing community of the Kerala coast. Karuthamma, daughter of the ambitious fisherman Chembankunju, has loved Pareekutty, a young Muslim fish trader, since childhood. Her community lives by a belief that the sea-goddess protects fishermen at sea only while their wives on shore remain chaste, and a marriage across faiths is unthinkable.

    Chembankunju's hunger to own a boat and net leads him to borrow from Pareekutty and then exploit him, while Karuthamma is married off to Palani, an orphaned fisherman from another village. Thakazhi shows the economics of the shore as clearly as the romance: the credit, the catches, the jealousy and gossip, the tightly policed customs that hold a vulnerable community together and also crush individuals within it.

    Published in 1956, the novel won the Sahitya Akademi Award in 1957 and became one of the first modern Indian novels widely translated abroad, with a UNESCO-supported English version by V. K. Narayana Menon. Ramu Kariat's 1965 film was the first South Indian film to win the President's Gold Medal. The book reads as a folk legend grafted onto social realism.

    Book details

    AuthorThakazhi Sivasankara Pillai
    First published1956
    Original languageMalayalam
    Translated byV. K. Narayana Menon
    GenreClassic
    TypeFiction
    Pages (approx.)230
    SettingFishing villages of the Alappuzha coast, Kerala, mid twentieth century
    AwardsSahitya Akademi Award 1957

    Themes

    • Forbidden love
    • Fishing community
    • Myth and taboo
    • Greed
    • Fate

    Who should read it

    Readers who want a passionate love story rooted in the customs and economy of a real coastal community.

  • Gun Island

    Deen Datta, a middle-aged Bengali dealer in rare books who divides his time between Brooklyn and Calcutta, hears on a visit home about a shrine in the Sundarbans tied to the legend of the Gun Merchant, a trader who tried to escape the wrath of Manasa Devi, goddess of snakes. A skeptic by temperament, he agrees to visit, and an unsettling encounter there starts a chain of coincidences.

    His search takes him to wildfire-threatened Los Angeles and to Venice, where Bangladeshi migrants work in the tourist trade. Along the way he meets Piya Roy from The Hungry Tide, a young Sundarbans boy named Tipu, a Venetian historian called Cinta, and a migrant named Rafi, and he begins to see the old myth as an account of displacement driven by a changing climate.

    The novel deliberately strains realism, turning to the uncanny to talk about a world where extreme weather seems to follow its own plot. It complements Ghosh's nonfiction book The Great Derangement, which argued that fiction has largely failed to confront climate change. Its mix of travelogue and parable may frustrate readers who want tight realism.

    Book details

    AuthorAmitav Ghosh
    First published2019
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)312
    SettingCalcutta, the Sundarbans, Los Angeles and Venice, late 2010s

    Themes

    • Climate change
    • Migration
    • Myth and modernity
    • Coincidence
    • Human trafficking

    Who should read it

    Readers looking for climate fiction that blends folklore, travel and the refugee crisis.