RAG Demo

Tag: Indian author

  • The 3 Mistakes of My Life

    Govind Patel, a maths-loving young man from a modest Ahmedabad family, dreams of running a business. With his friends Ishaan, a cricket fanatic whose own playing career stalled, and Omi, the son of a temple priest, he opens a small cricket-goods shop in the temple compound, and the three begin coaching boys in the neighbourhood.

    They discover Ali, a Muslim boy with an extraordinary batting talent, and Ishaan becomes determined to help him reach the national team. Meanwhile Govind tutors Ishaan's sister Vidya in maths, and a secret romance begins. The 2001 Gujarat earthquake, rising political tension and the Godhra train burning of 2002 push the friends into situations that test their loyalty.

    Framed as a story Govind tells the author after a suicide attempt, the novel mixes business ambition, cricket and romance with communal violence. It was adapted into the acclaimed 2013 film Kai Po Che! It is among Bhagat's darker books, and its treatment of the riots gives it more weight than his campus comedies.

    Book details

    AuthorChetan Bhagat
    First published2008
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)258
    SettingAhmedabad, Gujarat, 2000 to 2002

    Themes

    • Friendship
    • Entrepreneurship
    • Communal violence
    • Cricket
    • Secret romance

    Who should read it

    Young readers who like fast, accessible fiction about friendship and ambition against a real backdrop.

  • 2 States

    Krish Malhotra and Ananya Swaminathan meet in the mess at the Indian Institute of Management in Ahmedabad and fall in love over study sessions and late-night conversations. By graduation they want to marry, but they decide to do it properly: both families must agree, which proves harder than any entrance exam.

    Krish takes a bank job in Chennai to charm Ananya's reserved, conservative parents, tutoring her brother and arranging a concert for her father's company. Ananya, in turn, faces Krish's loud Punjabi relatives and his mother's open suspicion of South Indians, while Krish deals with his strained relationship with his father.

    Partly based on Chetan Bhagat's own marriage, the novel is a light comedy about regional stereotypes, food, language and family politics in modern India. It became a 2014 Hindi film starring Arjun Kapoor and Alia Bhatt. Short chapters, wisecracking narration and family set pieces keep it moving, making it an easy holiday read.

    Book details

    AuthorChetan Bhagat
    First published2009
    Original languageEnglish
    GenreRomance
    TypeFiction
    Pages (approx.)269
    SettingIIM Ahmedabad, Chennai and Delhi, 2000s

    Themes

    • Inter-community marriage
    • Cultural stereotypes
    • Family approval
    • Parents and children

    Who should read it

    Readers wanting a breezy romantic comedy about a north-south Indian love story.

  • Five Point Someone

    Hari, the narrator, and his friends Ryan and Alok enter the Indian Institute of Technology in Delhi expecting success, but they quickly sink to the bottom of the class with grade averages around five out of ten. Ryan, a confident rebel, argues that the system rewards rote learning over ideas, and the three spend more time on experiments, drinking and schemes than on assignments.

    Hari falls secretly for Neha, the daughter of the strict mechanical engineering head, Professor Cherian. Alok carries the weight of a poor family relying on him, and the trio's attempts to beat the system, including a dangerous plan involving a stolen exam paper, bring consequences that test their friendship.

    Chetan Bhagat's debut, written in simple conversational English, became a best-seller among young Indian readers who rarely bought novels. It loosely inspired the 2009 film 3 Idiots and turned its author into one of the most widely read and debated writers in India. Critics often dismissed it, which only fuelled its popularity.

    Book details

    AuthorChetan Bhagat
    First published2004
    Original languageEnglish
    GenreHumour
    TypeFiction
    Pages (approx.)270
    SettingIIT Delhi campus, late 1990s

    Themes

    • Academic pressure
    • Friendship
    • Education system
    • First love
    • Family expectations

    Who should read it

    Students and young readers who want an easy, funny campus story about surviving exam culture.

  • Sacred Games

    Sartaj Singh is a divorced, middle-aged Sikh inspector in the Mumbai police, good at his job but going nowhere. An anonymous call leads him to a bunker-like house where the notorious gang lord Ganesh Gaitonde has holed up, and the confrontation leaves Sartaj with a set of questions that pull him into an investigation spanning intelligence agencies, gurus and terror networks.

    Alternating chapters are Gaitonde's own story, narrated in a swaggering voice as he rises from a petty smuggler to a criminal empire builder with links to politicians and Bollywood. Interludes, called Insets, step away to tell unrelated lives across the subcontinent, from Partition refugees to a Kashmiri agent.

    At around 900 pages, Vikram Chandra's novel is crime fiction on an epic scale, saturated with Bombay slang and the texture of the city's police stations, slums and film sets. It was adapted as India's first Netflix original series in 2018. Its sheer length is part of the experience.

    Book details

    AuthorVikram Chandra
    First published2006
    Original languageEnglish
    GenreThriller
    TypeFiction
    Pages (approx.)900
    SettingMumbai, with episodes across India and abroad, 1940s to early 2000s

    Themes

    • Organised crime
    • Police corruption
    • Religious extremism
    • Masculinity
    • The city

    Who should read it

    Readers who love sprawling crime epics and want an inside view of Mumbai's underworld.

  • Cuckold

    The narrator is the Maharaj Kumar, heir to the throne of Mewar in Rajasthan in the early 1500s. His new wife, a young princess, declares that she is already married to the god Krishna and spends her days singing devotional songs. The prince is publicly mocked as a man cuckolded by a god, and he is privately consumed by jealousy, curiosity and an odd tenderness.

    Alongside the marriage, the prince deals with palace intrigue among his father Rana Sanga's many wives and sons, invents new military tactics and administrative reforms, and watches the rise of Babur in the north. His voice is modern in its scepticism and wit, making the historical setting feel startlingly immediate.

    Kiran Nagarkar's novel reimagines the life of the husband of the poet-saint Mirabai, a figure history barely records. Long and richly detailed, it won the Sahitya Akademi Award in 2001 and is admired for turning legend into a psychological drama about faith, power and love.

    Book details

    AuthorKiran Nagarkar
    First published1997
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)610
    SettingChittor and the kingdom of Mewar, Rajasthan, early 16th century
    AwardsSahitya Akademi Award 2001

    Themes

    • Devotion and desire
    • Jealousy
    • Statecraft and war
    • Masculinity
    • Faith

    Who should read it

    Readers who like intelligent historical fiction told by a witty, troubled narrator.

  • Fire on the Mountain

    After a lifetime as the dutiful wife of a university vice-chancellor and mother of many children, Nanda Kaul has retreated to Carignano, an isolated house on a ridge in Kasauli. She wants nothing more than to be left alone with the pines and the view, and she resents any letter or visitor that might pull her back into obligation.

    Then her great-granddaughter Raka is sent to recover from typhoid and a troubled home. To Nanda's surprise, the child wants no attention at all and spends her days roaming ravines and burnt hillsides. Nanda finds herself trying to win the girl over with invented stories, while Ila Das, a childhood friend reduced to poverty, brings news of the dangers of the world below.

    Short and intense, the novel is a study of solitude, female lives and the pretences people build to survive them. It won the Winifred Holtby Memorial Prize and the Sahitya Akademi Award, and its quiet build-up gives way to a powerful, unsettling conclusion best discovered without warning.

    Book details

    AuthorAnita Desai
    First published1977
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)145
    SettingCarignano, a house in Kasauli, Himachal Pradesh, 1970s
    AwardsWinifred Holtby Memorial Prize 1978, Sahitya Akademi Award 1978

    Themes

    • Solitude
    • Women's lives
    • Old age and childhood
    • Illusion
    • Loneliness

    Who should read it

    Readers who enjoy short, psychologically intense novels about women and solitude.

  • Clear Light of Day

    Tara, married to a diplomat and living abroad, returns with her family for a summer visit to the house in Old Delhi where she grew up. Her elder sister Bim still lives there, teaching history at a college and caring for their brother Baba, who has an intellectual disability and spends his days listening to old records.

    The novel moves back to the 1940s, when the siblings' parents were distant, an aunt raised them, and their brother Raja, a lover of Urdu poetry, fell ill and later left for Hyderabad to marry into a Muslim family. Bim has never quite forgiven him, and the story slowly uncovers how each sibling remembers those years differently.

    Anita Desai's prose is precise and luminous, alive to heat, gardens and the slow decay of a house. Shortlisted for the Booker Prize in 1980, it is often regarded as her finest novel, a study of time, family loyalty and forgiveness set against the upheaval of 1947.

    Book details

    AuthorAnita Desai
    First published1980
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)183
    SettingOld Delhi, the 1940s and the 1970s

    Themes

    • Sisterhood
    • Memory and time
    • Forgiveness
    • Partition
    • Duty

    Who should read it

    Readers who appreciate introspective family novels with exquisite, atmospheric prose.

  • Delhi: A Novel

    The present-day narrator is a cynical, womanising Sikh journalist and tour guide who loves Delhi the way he loves Bhagmati, a hijra he met near a mosque: helplessly and against all advice. His episodes, set in the 1970s and 1980s, are earthy and comic, full of the city's ruins, bureaucrats and visiting foreigners.

    Between them, Khushwant Singh hands the stage to people from Delhi's past: a Hindu cast out by his community in the 13th century, the poet Amir Khusrau, Timur, the Mughal emperor Aurangzeb, the Urdu poet Mir Taqi Mir, an Englishman and others caught in the 1857 uprising, a man present at the building of New Delhi, and finally participants in Partition and the 1984 anti-Sikh riots.

    The book took Singh about twenty-five years to write and reflects his love of history and his irreverence. Its frank sexuality divided reviewers, but its scope makes it a lively, if unorthodox, biography of a city repeatedly destroyed and rebuilt. Readers who prefer restraint may find it excessive, but it is never dull.

    Book details

    AuthorKhushwant Singh
    First published1990
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)391
    SettingDelhi across six centuries, from the Delhi Sultanate to 1984

    Themes

    • History of delhi
    • Power and conquest
    • Desire
    • Religious conflict
    • The city as character

    Who should read it

    Readers who enjoy irreverent historical fiction and want a tour of Delhi through the centuries.

  • Coolie

    Munoo is fourteen when his uncle takes him from his Kangra hill village to work as a domestic servant for a bank clerk's family in the town of Sham Nagar. Mistreated by the clerk's wife, he runs away, and the novel becomes a picaresque journey through the working life of colonial India.

    He finds kindness and cruelty in turn: a pickle factory in Daulatpur, the docks and textile mills of Bombay, where he lives on the pavement and is caught up in a strike and communal riot, and finally Simla, where he pulls the rickshaw of an Anglo-Indian woman. Each place shows how class and poverty matter as much as caste, and how industrial capitalism uses up the bodies of the poor.

    Published in 1936, a year after Untouchable, Coolie is broader and angrier, shaped by Anand's socialist convictions. It is valued as one of the earliest Indian novels about the urban working class and child labour. Its ending is bleak, and Munoo's innocence makes the cruelty he meets all the more striking for modern readers.

    Book details

    AuthorMulk Raj Anand
    First published1936
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)282
    SettingKangra hills, Sham Nagar, Daulatpur, Bombay and Simla, 1930s

    Themes

    • Child labour
    • Class exploitation
    • Industrialisation
    • Poverty
    • Colonialism

    Who should read it

    Readers interested in social-realist fiction and the lives of India's colonial-era working poor.

  • Train to Pakistan

    Mano Majra is a small village on the Sutlej, with a railway bridge and a station whose train timings organise the day. Sikh farmers and Muslim tenants have lived together for generations, largely untouched by the politics of Partition. Then, in the summer of 1947, a ghost train arrives from Pakistan carrying the bodies of murdered Sikhs and Hindus.

    Khushwant Singh moves between a handful of characters: Juggut Singh, a hulking local thug in love with a Muslim weaver's daughter; Iqbal, an English-educated activist sent to rouse the peasants; and Hukum Chand, the district magistrate, a weary, compromised man who tries to manipulate events from his rest house. As refugees and armed groups arrive, the village is pushed toward retaliation.

    Written with unsentimental directness and dark humour, the novel was one of the first major works of fiction about Partition violence. Its manuscript won the Grove Press India Fiction Prize, and it was filmed by Pamela Rooks in 1998. It is brief enough to read in a sitting but lingers long afterwards.

    Book details

    AuthorKhushwant Singh
    First published1956
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)181
    SettingMano Majra, a village on the India-Pakistan border in Punjab, summer 1947
    AwardsGrove Press India Fiction Prize 1954

    Themes

    • Partition
    • Communal violence
    • Love across religion
    • Moral responsibility
    • Village life

    Who should read it

    Anyone wanting a short, unflinching novel about how Partition reached ordinary villages.