RAG Demo

Tag: Multiple narrators

  • Mrityunjay

    Mrityunjay, published in 1967, tells the life of Karna, the great archer of the Mahabharata who was born to Kunti before her marriage, set adrift on a river and raised by a charioteer. Sawant gives most of the narration to Karna himself, with sections spoken by Kunti, Duryodhana, Karna's wife Vrushali, his brother Shon and Krishna, so the story builds from many vantage points.

    The novel dwells on the humiliations of birth and caste that dog Karna: the tournament where he is mocked as a charioteer's son, the teachers who deny him, the bride who refuses him. It also traces his loyalty to Duryodhana, who gave him dignity when no one else would, and his legendary generosity, which becomes both his glory and his vulnerability.

    The book was a sensation in Marathi and has been translated into many Indian languages and into English, where it appeared as Mrityunjaya: The Death Conqueror. Its emotional, almost operatic style and its sympathy for an outsider who never stops seeking recognition have made Karna one of the most popular epic figures in modern Indian reading.

    Book details

    AuthorShivaji Sawant
    First published1967
    Original languageMarathi
    Translated byP. Lal and Nandini Nopany
    GenreMythology
    TypeFiction
    Pages (approx.)700
    SettingChampanagari, Hastinapura and Kurukshetra in the age of the Mahabharata

    Themes

    • Identity and birth
    • Loyalty
    • Generosity
    • Caste humiliation
    • Fate

    Who should read it

    Anyone who has felt for Karna in the Mahabharata and wants his full story told with passion.

  • The Home and the World

    Published in Bengali as Ghare Baire in 1916, this novel is set on a zamindar's estate in Bengal around the time of the 1905 partition and the boycott of British goods. Nikhilesh, the liberal and gentle landowner, encourages his wife Bimala to step out of purdah and meet the wider world. The world arrives in the form of Sandip, a charismatic nationalist orator who is Nikhil's old friend.

    Bimala is dazzled by Sandip's rhetoric and his claim that she embodies the motherland, while Nikhil refuses to force Swadeshi on poor Muslim traders who cannot afford costlier Indian cloth. The story is narrated in turns by the three of them, so the reader watches each misread the others. Sandip's private self-justifications reveal a man who treats people and ideals as instruments for his own appetite.

    Tagore wrote the book partly as a reckoning with the movement he had once supported, and it was attacked at the time for seeming to belittle nationalism. Read now, it is a sharp study of how political passion can curdle into coercion, and of a woman discovering desire and agency in a society that granted her little of either. Satyajit Ray filmed it in 1984.

    Book details

    AuthorRabindranath Tagore
    First published1916
    Original languageBengali
    Translated bySurendranath Tagore
    GenreClassic
    TypeFiction
    Pages (approx.)230
    SettingA zamindar's estate in Bengal during the Swadeshi movement, c. 1905-1908

    Themes

    • Nationalism and its excesses
    • Women's emancipation
    • Marriage
    • Moral courage
    • Communal tension

    Who should read it

    Readers interested in how Indian nationalism looked from the inside, and in novels that weigh ideals against their human cost.

  • Delhi: A Novel

    The present-day narrator is a cynical, womanising Sikh journalist and tour guide who loves Delhi the way he loves Bhagmati, a hijra he met near a mosque: helplessly and against all advice. His episodes, set in the 1970s and 1980s, are earthy and comic, full of the city's ruins, bureaucrats and visiting foreigners.

    Between them, Khushwant Singh hands the stage to people from Delhi's past: a Hindu cast out by his community in the 13th century, the poet Amir Khusrau, Timur, the Mughal emperor Aurangzeb, the Urdu poet Mir Taqi Mir, an Englishman and others caught in the 1857 uprising, a man present at the building of New Delhi, and finally participants in Partition and the 1984 anti-Sikh riots.

    The book took Singh about twenty-five years to write and reflects his love of history and his irreverence. Its frank sexuality divided reviewers, but its scope makes it a lively, if unorthodox, biography of a city repeatedly destroyed and rebuilt. Readers who prefer restraint may find it excessive, but it is never dull.

    Book details

    AuthorKhushwant Singh
    First published1990
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)391
    SettingDelhi across six centuries, from the Delhi Sultanate to 1984

    Themes

    • History of delhi
    • Power and conquest
    • Desire
    • Religious conflict
    • The city as character

    Who should read it

    Readers who enjoy irreverent historical fiction and want a tour of Delhi through the centuries.