Tag: Satyajit ray film

  • The Home and the World

    Published in Bengali as Ghare Baire in 1916, this novel is set on a zamindar's estate in Bengal around the time of the 1905 partition and the boycott of British goods. Nikhilesh, the liberal and gentle landowner, encourages his wife Bimala to step out of purdah and meet the wider world. The world arrives in the form of Sandip, a charismatic nationalist orator who is Nikhil's old friend.

    Bimala is dazzled by Sandip's rhetoric and his claim that she embodies the motherland, while Nikhil refuses to force Swadeshi on poor Muslim traders who cannot afford costlier Indian cloth. The story is narrated in turns by the three of them, so the reader watches each misread the others. Sandip's private self-justifications reveal a man who treats people and ideals as instruments for his own appetite.

    Tagore wrote the book partly as a reckoning with the movement he had once supported, and it was attacked at the time for seeming to belittle nationalism. Read now, it is a sharp study of how political passion can curdle into coercion, and of a woman discovering desire and agency in a society that granted her little of either. Satyajit Ray filmed it in 1984.

    Book details

    AuthorRabindranath Tagore
    First published1916
    Original languageBengali
    Translated bySurendranath Tagore
    GenreClassic
    TypeFiction
    Pages (approx.)230
    SettingA zamindar's estate in Bengal during the Swadeshi movement, c. 1905-1908

    Themes

    • Nationalism and its excesses
    • Women's emancipation
    • Marriage
    • Moral courage
    • Communal tension

    Who should read it

    Readers interested in how Indian nationalism looked from the inside, and in novels that weigh ideals against their human cost.

  • Pather Panchali

    Pather Panchali, published in 1929, is set in Nischindipur, a village in rural Bengal. Harihar Ray is a poor priest and would-be writer who drifts in search of work, leaving his wife Sarbajaya to stretch scraps into meals and to keep up appearances among better-off neighbours. Living with them is Indir Thakrun, an aged and dependent relative whose presence the harried mother resents.

    The heart of the book is the childhood of Apu and his elder sister Durga, who roam orchards and bamboo groves, steal fruit, watch a travelling theatre troupe and dream of seeing a train. Bibhutibhushan renders the natural world, the seasons and the small events of village life with unusual tenderness, so that poverty and wonder exist side by side on almost every page.

    There is little conventional plot; the novel moves by episodes and moods. Its achievement is to make an obscure family's struggles feel universal without romanticising hardship. Satyajit Ray's 1955 film adapted the first part, and with its sequel Aparajito the book forms the basis of the celebrated Apu trilogy. It remains a cornerstone of modern Bengali prose.

    Book details

    AuthorBibhutibhushan Bandyopadhyay
    First published1929
    Original languageBengali
    Translated byT. W. Clark and Tarapada Mukherji
    GenreClassic
    TypeFiction
    Pages (approx.)320
    SettingNischindipur village, rural Bengal, early twentieth century

    Themes

    • Childhood
    • Rural poverty
    • Nature
    • Sibling bond
    • Wonder and loss

    Who should read it

    Readers who love gentle, observant novels of childhood and village life, and admirers of Satyajit Ray's Apu trilogy.