Tag: Short novel

  • Pinjar

    Pinjar, meaning skeleton, was published in Punjabi in 1950. Puro, a young Hindu woman engaged to a man she has barely met, is abducted by Rashid, a Muslim from a family that nurses an old grievance against hers. When she escapes and returns home, her parents, fearing the community's judgement, turn her away, and she must make a life within the marriage forced upon her, renamed Hamida.

    Puro's inner world is the centre of the book: her anger, her sense of being reduced to a body without a self, and her slow, complicated understanding of Rashid, who is both her wrongdoer and capable of remorse. As Partition violence engulfs Punjab, she sees other women abducted, raped and abandoned, and her own experience becomes a lens on theirs.

    Amrita Pritam wrote with stark economy and fierce sympathy for women whose bodies became battlegrounds of family honour and communal revenge. Khushwant Singh translated it into English as The Skeleton, and Chandraprakash Dwivedi's 2003 film brought it to a wide audience. It remains one of the most important literary works on women and Partition.

    Book details

    AuthorAmrita Pritam
    First published1950
    Original languagePunjabi
    Translated byKhushwant Singh
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)120
    SettingVillages of Punjab, 1930s to 1947

    Themes

    • Abduction of women
    • Family honour
    • Partition
    • Identity and renaming
    • Resilience

    Who should read it

    Anyone seeking a woman's perspective on Partition in a brief, powerful novel.

  • Devdas

    Devdas Mukherjee is the son of a wealthy zamindar in the Bengal village of Talshonapur, and Parvati, called Paro, is the daughter of a modest neighbouring family. They grow up inseparable, quarrelling and making up by the village pond. When Devdas is sent to Calcutta to study, Paro assumes that their bond will one day become marriage, but caste rank, money and family pride stand in the way.

    Devdas proves unable to defy his parents at the decisive moment, and his hesitation sets off a chain of regret. In Calcutta a worldly friend introduces him to drink and to Chandramukhi, a courtesan who comes to love him with a devotion he can hardly accept. The novel moves between the village and the city, between the two women and the man who cannot choose a life.

    Written in 1900 and published in 1917, the book is brief, plain in style and unsentimental about its hero's weakness, even though later film versions turned him into a tragic romantic icon. It is a critique of feudal family authority and social hierarchy as much as a love story, and its pull on Indian popular imagination has lasted more than a century.

    Book details

    AuthorSarat Chandra Chattopadhyay
    First published1917
    Original languageBengali
    Translated bySreejata Guha
    GenreClassic
    TypeFiction
    Pages (approx.)140
    SettingTalshonapur village and Calcutta, Bengal, early twentieth century

    Themes

    • Unrequited love
    • Class and family pride
    • Self-destruction
    • Alcoholism
    • Social hierarchy

    Who should read it

    Anyone who knows the film versions and wants the spare, original story behind them.

  • Fahrenheit 451

    Guy Montag is a fireman in a future American city, but his job is to start fires rather than put them out. Owning books is illegal, and his crew burns any that are found, often along with the houses that hid them. Montag takes pride in the work until a chance friendship with Clarisse, a curious teenage neighbour, makes him notice how empty his life has become.

    At home his wife Mildred spends her days absorbed in wall-sized television screens and seashell earpieces, and barely registers him. Montag begins secretly hoarding books he cannot yet understand, which draws the attention of his sharp, well-read fire captain, Beatty. A retired professor named Faber becomes an uneasy ally as Montag tries to work out what the books might offer.

    Bradbury wrote the novel during the McCarthy era, yet its real target is a population that stopped reading voluntarily, trading reflection for speed, spectacle and constant stimulation. The prose is lyrical and urgent, full of fire imagery. It remains one of the most widely taught American novels, frequently cited in discussions of censorship, attention spans and mass media.

    Book details

    AuthorRay Bradbury
    First published1953
    Original languageEnglish
    GenreScience fiction
    TypeFiction
    Pages (approx.)194
    SettingAn unnamed American city in the future
    AwardsRetro Hugo Award for Best Novel (1954, awarded 2004)

    Themes

    • Censorship
    • Mass media
    • Conformity
    • Knowledge and memory
    • Awakening

    Who should read it

    Anyone who cares about reading, free expression and the effect of endless entertainment on how people think.