Tag: Translated from Kannada

  • Samskara

    In the agrahara of Durvasapura, a settlement of Madhva Brahmins in Karnataka, a man named Naranappa dies of fever. He had defied every rule of his caste: he ate meat, drank, lived with a low-caste woman named Chandri and mocked the elders. Yet he was never formally expelled, so the question of who may cremate him becomes a scriptural puzzle while his body lies decaying in the heat.

    The community turns to Praneshacharya, a celebrated scholar of the Vedas, admired for his austerity and his devotion to an invalid wife. He searches the sacred texts and finds no answer. The waiting breeds plague, greed and hypocrisy among the Brahmins, and Praneshacharya himself is shaken by an encounter that tests his long suppression of desire.

    Published in 1965, the novel is short and densely symbolic; samskara can mean both a funeral rite and the shaping of the self. It became a landmark of the Kannada Navya movement, was filmed in 1970 amid controversy, and reached world readers through A. K. Ramanujan's 1976 English translation. It remains a sharp examination of orthodoxy, purity and the inner life of faith.

    Book details

    AuthorU. R. Ananthamurthy
    First published1965
    Original languageKannada
    Translated byA. K. Ramanujan
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)140
    SettingDurvasapura, a Brahmin agrahara in the Malnad region of Karnataka

    Themes

    • Orthodoxy and rebellion
    • Purity and pollution
    • Desire and asceticism
    • Caste
    • Spiritual crisis

    Who should read it

    Readers wanting a compact, provocative novel about religious authority and individual conscience.

  • Parva

    Parva, published in Kannada in 1979, re-imagines the Mahabharata as a story of a real Bronze Age society. Bhyrappa travelled through the regions named in the epic to picture how its people might actually have lived, fought, married and eaten. There are no divine weapons or miracles; the gods are titles, the births are explained through customs such as niyoga, and Krishna is a shrewd political leader.

    The narrative is built from long interior monologues. Kunti, Draupadi, Bhima, Arjuna, Karna, Bhishma, Drona and others look back over their lives as armies gather, so the same events are seen repeatedly from conflicting angles. Old age, failing bodies, sexual politics, polyandry, food and drink, and the brutal arithmetic of war are given weight the epic usually skips.

    The book runs to well over eight hundred pages and is demanding, but it rewards readers with a sense of the epic as a tragedy of ordinary human limitation. It has been translated into many Indian languages and into English by K. Raghavendra Rao, and it is widely considered Bhyrappa's masterpiece and a defining work of the realist approach to Indian myth.

    Book details

    AuthorS. L. Bhyrappa
    First published1979
    Original languageKannada
    Translated byK. Raghavendra Rao
    GenreMythology
    TypeFiction
    Pages (approx.)870
    SettingNorthern and central India in the age of the Mahabharata, on the eve of the Kurukshetra war

    Themes

    • Demythologised epic
    • Ageing and memory
    • War
    • Dharma questioned
    • Gender and polyandry

    Who should read it

    Serious readers of the Mahabharata who want an unsparing, rationalist version of its world.

  • Ghachar Ghochar

    The narrator, an unnamed young man in Bangalore, spends his afternoons at a coffee house watching the world and taking advice from a waiter named Vincent. He lives with his parents, his sister Malati and his uncle Chikkappa, whose spice trading business lifted the family from a cramped, ant-infested rented house into a bigger home and an easy life.

    The narrator nominally works for the business but does nothing; the family depends on Chikkappa and protects him fiercely. When the narrator marries Anita, a woman with firm principles who refuses to accept how things are done, her presence exposes the family's moral compromises and the quiet menace that holds it together.

    Vivek Shanbhag's novella, originally written in Kannada and translated into English by Srinath Perur, is short, wry and precise, with tension built from small domestic details. It drew international praise when it appeared in the UK and US in 2017, and its title is a made-up phrase for something hopelessly entangled.

    Book details

    AuthorVivek Shanbhag
    First published2013
    Original languageKannada
    Translated bySrinath Perur
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)118
    SettingBangalore, early 21st century

    Themes

    • Money and morality
    • Family loyalty
    • Class mobility
    • Complicity
    • Marriage

    Who should read it

    Readers who like short, unsettling literary fiction about how money reshapes a family.