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  • Malgudi Days

    R. K. Narayan's best-loved collection brings together short stories set in Malgudi, a small invented town on the banks of the Sarayu river in South India. Its streets, markets and railway station are populated by ordinary people: a pavement astrologer who survives on shrewd guesses, a postman who delays a letter out of affection, a vendor of fried snacks, a retired man who cannot stop talking.

    The stories are short, often only a few pages, and turn on small reversals of fortune, misunderstandings and quiet moments of self-recognition. Narayan's humour is affectionate rather than mocking, and his characters' foibles, vanity, thrift, superstition and pride, are treated with patience. Many end with a gentle twist that recasts what came before.

    First published in 1943 and later expanded in a Penguin edition in 1982, the book became a fixture of Indian childhood after Shankar Nag's 1986 Doordarshan television series. It offers an easy entry point into Narayan's world, written in simple, transparent English that hides considerable craft.

    Book details

    AuthorR. K. Narayan
    First published1943
    Original languageEnglish
    GenreClassic
    TypeFiction
    Pages (approx.)256
    SettingMalgudi, a fictional town in South India, mid-20th century

    Themes

    • Small-town life
    • Human folly
    • Fate and luck
    • Everyday dignity

    Who should read it

    Readers of any age who want gentle, humorous stories that capture small-town India.

  • Family Matters

    Nariman Vakeel, a retired English professor of seventy-nine, lives in a large flat in Chateau Felicity with his two middle-aged stepchildren, Coomy and Jal. After he breaks his ankle on an evening walk, Coomy contrives to move him to the two-room flat of his daughter Roxana, her husband Yezad and their two sons in Pleasant Villa.

    The burden of nursing an invalid, and the cost of his medicines, pushes Yezad, an assistant in a sports shop, towards a reckless plan involving his employer and the Shiv Sena's hold on the city. Flashbacks show the forbidden love affair that Nariman was made to give up in his youth, a wound that still shapes every relationship in the family.

    Mistry writes about old age, duty and the slow business of caring with patience and gentle comedy, especially through Roxana's young son Jehangir. Shortlisted for the Booker Prize in 2002, it is also a portrait of 1990s Bombay and of a Parsi community worried about its own survival.

    Book details

    AuthorRohinton Mistry
    First published2002
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)487
    SettingBombay, mid-1990s, with flashbacks to the 1940s and 1950s

    Themes

    • Caring for the elderly
    • Family obligation
    • Religious orthodoxy
    • Communal politics
    • Regret

    Who should read it

    Anyone who has looked after an ageing parent, or who loves quiet, tender family novels.

  • Such a Long Journey

    Gustad Noble is a decent, proud bank clerk living with his wife Dilnavaz and three children in the Khodadad Building, a Parsi apartment block in Bombay. In 1971 a letter arrives from Major Jimmy Bilimoria, a friend who vanished years earlier, asking Gustad to deposit a large sum of money on behalf of a secret government operation linked to the coming war over East Pakistan.

    As Gustad tries to do his duty, his household is fraying: his eldest son Sohrab refuses the IIT place his father dreamed of, his daughter falls ill, and Dilnavaz turns to a neighbour's spells for help. Around them the building's eccentrics, including a pavement artist who paints gods on a wall, give the novel warmth and comedy.

    Mistry's first novel draws on the real Nagarwala bank fraud case and is affectionate about Parsi Bombay while sceptical of power. It won the Governor General's Award and the Commonwealth Writers' Prize Best Book and was shortlisted for the Booker; a film version appeared in 1998.

    Book details

    AuthorRohinton Mistry
    First published1991
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)339
    SettingKhodadad Building, Bombay, 1971
    AwardsGovernor General's Award 1991, Commonwealth Writers' Prize 1992

    Themes

    • Fathers and sons
    • Friendship and betrayal
    • Political corruption
    • Parsi community
    • Faith

    Who should read it

    Readers who enjoy warm, character-rich domestic novels with a political mystery underneath.

  • A Fine Balance

    In 1975, in an unnamed seaside city that is clearly Bombay, Dina Dalal, a Parsi widow determined not to depend on her brother, takes in work from an export firm. She hires two tailors, Ishvar Darji and his nephew Om, who have fled caste violence in their village, and rents a room to Maneck Kohlah, a student from a hill town whose family store is losing out to development.

    Mistry gives each character a long backstory, from the Chamaar family that defied caste by becoming tailors to Maneck's mountain childhood, before bringing them together in Dina's flat. As Indira Gandhi's Emergency unfolds, slum demolitions, forced sterilisation drives, bonded labour and petty officials press in from outside, and their fragile household is tested again and again.

    This is a big, compassionate novel about friendship and dignity under crushing systems, written in clear, unshowy prose. It won the Giller Prize and the Commonwealth Writers' Prize and was shortlisted for the Booker. Its emotional force is famous, and readers should be prepared for hardship.

    Book details

    AuthorRohinton Mistry
    First published1995
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)603
    SettingAn unnamed city by the sea (Bombay) and rural north India, 1940s to 1984, mainly 1975 to 1977
    AwardsGiller Prize 1995, Commonwealth Writers' Prize 1996

    Themes

    • The emergency
    • Caste oppression
    • Friendship
    • Poverty
    • Resilience

    Who should read it

    Readers who want an absorbing, humane epic about ordinary people living through India's Emergency.

  • Gun Island

    Deen Datta, a middle-aged Bengali dealer in rare books who divides his time between Brooklyn and Calcutta, hears on a visit home about a shrine in the Sundarbans tied to the legend of the Gun Merchant, a trader who tried to escape the wrath of Manasa Devi, goddess of snakes. A skeptic by temperament, he agrees to visit, and an unsettling encounter there starts a chain of coincidences.

    His search takes him to wildfire-threatened Los Angeles and to Venice, where Bangladeshi migrants work in the tourist trade. Along the way he meets Piya Roy from The Hungry Tide, a young Sundarbans boy named Tipu, a Venetian historian called Cinta, and a migrant named Rafi, and he begins to see the old myth as an account of displacement driven by a changing climate.

    The novel deliberately strains realism, turning to the uncanny to talk about a world where extreme weather seems to follow its own plot. It complements Ghosh's nonfiction book The Great Derangement, which argued that fiction has largely failed to confront climate change. Its mix of travelogue and parable may frustrate readers who want tight realism.

    Book details

    AuthorAmitav Ghosh
    First published2019
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)312
    SettingCalcutta, the Sundarbans, Los Angeles and Venice, late 2010s

    Themes

    • Climate change
    • Migration
    • Myth and modernity
    • Coincidence
    • Human trafficking

    Who should read it

    Readers looking for climate fiction that blends folklore, travel and the refugee crisis.

  • The Shadow Lines

    The narrator grows up in Calcutta idolising his uncle Tridib, a scholar who teaches him to imagine distant places precisely. Through Tridib he becomes fascinated with the Price family in London, especially May, a musician Tridib loved. In memory he travels back and forth between a 1960s childhood and student years in London, assembling a family story in fragments.

    His grandmother, a stern schoolteacher born in Dhaka, longs to bring an elderly uncle out of what has become East Pakistan. That journey, in 1964, coincides with communal riots on both sides of the border, an episode the narrator only gradually understands and that he must reconstruct from newspapers and the silences of the adults around him.

    Ghosh's second novel questions the lines drawn on maps and asks why violence on one side so precisely mirrors violence on the other. Written partly in response to the 1984 Delhi riots, it won the Sahitya Akademi Award in 1989 and is widely studied in Indian universities.

    Book details

    AuthorAmitav Ghosh
    First published1988
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)252
    SettingCalcutta, Dhaka and London, 1939 to early 1980s
    AwardsSahitya Akademi Award 1989

    Themes

    • Borders and nationalism
    • Memory
    • Communal violence
    • Imagination
    • Partition

    Who should read it

    Readers interested in Partition's long shadow and novels built from memory rather than chronology.

  • Sea of Poppies

    In 1838 the British East India Company forces Bihar's farmers to grow opium for the China trade. Deeti, a village woman married to a sick opium-factory worker, escapes a terrible fate with the help of Kalua, a giant ox-cart driver of low caste, and the pair end up among the indentured labourers being shipped to Mauritius aboard a former slave ship, the Ibis.

    The Ibis gathers a crowd of other refugees from their own lives: Zachary Reid, a mixed-race freedman from Baltimore passing as white; Neel Rattan Halder, a Bengali zamindar ruined by a British opium merchant; Paulette, a French orphan in disguise; and Jodu, her boyhood friend, along with lascars and a mysterious convict.

    The first volume of the Ibis trilogy, the novel delights in language, filling its pages with ship's pidgin, Bhojpuri and Anglo-Indian slang, while exposing the brutality of the opium economy. It was shortlisted for the Booker Prize in 2008 and continues in River of Smoke and Flood of Fire.

    Book details

    AuthorAmitav Ghosh
    First published2008
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)515
    SettingBihar, Calcutta and the Bay of Bengal, 1838

    Themes

    • Opium trade
    • Indentured labour
    • Caste and reinvention
    • Colonial exploitation
    • Solidarity

    Who should read it

    Readers who love seafaring adventure and rich historical detail about the opium trade.

  • The Hungry Tide

    Piya Roy, an American cetologist of Bengali descent, arrives in the Sundarbans to survey rare Irrawaddy dolphins. On a train from Calcutta she meets Kanai Dutt, a confident Delhi businessman and translator heading to the tide country to read a notebook left by his late uncle Nirmal, a schoolteacher and disillusioned Marxist.

    Unable to speak Bengali, Piya comes to depend on Fokir, an illiterate fisherman who knows the rivers by instinct, and an unspoken bond forms between them that unsettles Kanai. Nirmal's notebook, woven through the present-day story, recounts the 1979 events on Morichjhapi island, where refugees from Bangladesh tried to settle and were driven off by the state.

    The novel is part adventure, part ecological meditation on a landscape where islands appear and vanish and tigers kill villagers every year. Ghosh asks whose lives count when conservation and human survival collide, and he gives the mangrove forest itself the presence of a character.

    Book details

    AuthorAmitav Ghosh
    First published2004
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)333
    SettingThe Sundarbans and Lusibari island, West Bengal, 1979 and early 2000s

    Themes

    • Ecology and conservation
    • Refugees
    • Language and translation
    • Class
    • Nature's power

    Who should read it

    Readers drawn to nature writing and novels where landscape and politics are inseparable.

  • The Glass Palace

    When British troops march into Mandalay in 1885 and exile King Thebaw and Queen Supayalat to the Indian coast, an eleven-year-old Indian orphan named Rajkumar is working at a food stall in the city. In the chaos he glimpses Dolly, a young attendant to the royal family, and the encounter shapes the rest of his life as he rises through the Burmese teak trade.

    Amitav Ghosh follows Rajkumar, Dolly and their descendants, along with a Bengali widow named Uma and her family, through rubber plantations in Malaya, the royal exile at Ratnagiri, the Indian Army's dilemmas during the Second World War, and the forced trek out of Burma during the Japanese invasion. Photography and the Indian National Army become important threads in the later generations.

    Historical fiction on a grand scale, the novel explores how empire turned Indians into both its servants and its agents, and what loyalty means to soldiers in a colonial army. Ghosh famously withdrew it from the Commonwealth Writers' Prize, objecting to the term Commonwealth literature.

    Book details

    AuthorAmitav Ghosh
    First published2000
    Original languageEnglish
    GenreHistorical fiction
    TypeFiction
    Pages (approx.)552
    SettingMandalay and Rangoon in Burma, Ratnagiri and Calcutta in India, and Malaya, 1885 to 1990s

    Themes

    • Empire and colonialism
    • Displacement
    • Loyalty
    • Family saga
    • Commerce

    Who should read it

    Readers who enjoy multigenerational epics and want to understand the shared colonial history of India and Burma.

  • The Lowland

    Subhash and Udayan Mitra are born fifteen months apart in Tollygunge, a south Calcutta neighbourhood bordered by two ponds and a stretch of flood-prone land. Inseparable as boys, they diverge in the late 1960s: Udayan, charismatic and impatient, is drawn into the Maoist-inspired Naxalite uprising, while the cautious Subhash goes to Rhode Island to study oceanography.

    Udayan marries Gauri, a philosophy student with her own fierce intelligence, without his parents' blessing. When political violence reaches the family, Subhash makes a choice meant as rescue that binds him, Gauri and a child to one another in ways none of them can fully accept. The novel then follows its characters across fifty years and two continents.

    Lahiri's prose is calm and closely observed, and she lets long time spans reveal how a single event goes on shaping lives. The novel was shortlisted for the Booker Prize and a finalist for the US National Book Award, and it won the DSC Prize for South Asian Literature.

    Book details

    AuthorJhumpa Lahiri
    First published2013
    Original languageEnglish
    GenreLiterary fiction
    TypeFiction
    Pages (approx.)340
    SettingTollygunge, Calcutta and coastal Rhode Island, 1950s to 2010s
    AwardsDSC Prize for South Asian Literature 2015

    Themes

    • Brotherhood
    • Political radicalism
    • Motherhood
    • Guilt
    • Exile

    Who should read it

    Readers who like slow-burning family novels that trace one choice across generations.